آمار
| تعداد نشریات | 6 |
| تعداد شمارهها | 129 |
| تعداد مقالات | 1,616 |
| تعداد مشاهده مقاله | 1,853,238 |
| تعداد دریافت فایل اصل مقاله | 1,715,884 |
Malabouian Plasticity in Porochista Khakpour’s The Last Illusion | ||
| Journal of Applied Linguistics and Applied Literature: Dynamics and Advances | ||
| مقالات آماده انتشار، پذیرفته شده، انتشار آنلاین از تاریخ 13 مرداد 1405 | ||
| نوع مقاله: Research Article | ||
| شناسه دیجیتال (DOI): 10.22049/jalda.2026.31111.1899 | ||
| نویسندگان | ||
| Farah Ghaderi* 1؛ Zahra Anvari Azar2؛ Aya Akkawi3 | ||
| 1Associate Professor of English Literature, Department of English Language and Literature, Dhofar University, Salalah, Oman | ||
| 2MA in English Language and Literature, Urmia University, Urmia, IranUrmia University | ||
| 3Assistant Professor of English Literature, Department of English and Translation, Sultan Qaboos University, Seeb, Oman | ||
| چکیده | ||
| Malabou’s concept of brain plasticity incorporates themes of fluidity and metamorphosis. It explores the dynamic relationship between human beings and the world, offering new perspectives on the boundaries of human identity. Although Porochista Khakpour’s (2014) The Last Illusion has been examined from various perspectives, it has yet to be explored through the lens of plasticity. Thus, we aim to offer a Malabouian reading of The Last Illusion by applying the concepts of “trauma”, “reparative plasticity”, and the “neuronal self”. We argue that changes in Zal’s actions and thoughts suggest that his identity is a plastic entity—constantly changing and evolving. Zal’s display of both human and avian characteristics highlights the adaptability of the neuronal self and its influence on his identity. The findings of this study highlight the metamorphic power of trauma. Furthermore, the findings suggest that the blurring of boundaries in Zal’s brain is possible because the brain is a plastic entity, capable of delocalizing and reconfiguring neuronal connections through interaction with its environment. Zal’s acquisition of self-awareness and self-acceptance stems from the brain’s capacity to grow and change through the delocalization of neuronal networks and its flexibility in adapting to new experiences and memories. This also illustrates Zal’s exercise of agency over his own identity, reflecting a sense of indeterminism grounded in brain plasticity and a movement toward empowerment. | ||
| کلیدواژهها | ||
| Catherine Malabou؛ identity؛ trauma؛ plasticity؛ Porochista Khakpour | ||
| مراجع | ||
|
Azadanipour, M. , Maleki, N. and Hajjari, M. (2022). Investigating the “Infinite Real” in Jennifer Egan’s A Visit from the Goon Squad: A Metamodernist Approach. Journal of Applied Linguistics and Applied Literature: Dynamics and Advances, 10(2), 245-259. https://doi.org/10.22049/jalda.2022.27772.1411
Doidge, N. (2007). The Brain that Changes Itself: Stories of Personal Triumph from the Frontiers of Brain Science. Penguin.
Doidge, N. (2015). The Brain’s Way of Healing: Remarkable Discoveries and Recoveries from the Frontiers of Neuroplasticity. Viking.
Gonzales, M. (2014, May 22). Review: “The Last Illusion” inventively captures a feral boy’s life in N.Y. Los Angeles Times. https://www.latimes.com/books/jacketcopy/la-ca-jc-porochista-khakpour-20140525-story.html
Hoby, H. (2014, December 27). The Last Illusion review – Porochista Khakpour’s audacious coming-of-age novel. The Guardian. https://www.theguardian.com/books/2014/dec/27/the-last-illusion-porochista-khakpour-review-zal-world-trade-center
Jafarnia, D. (2019). Subjectivity and Identity Formation in Nocturnal Harmony from the Wood Orchestra and The Last Illusion: A Comparative Study [master’s thesis, Razi University]. Ganj. https://ganj.irandoc.ac.ir/#/articles/9ce4bee6362c0d5a54e07aa234ce8a7a/fulltext.
Johnston, A., & Malabou, C. (2013). Self and emotional life: philosophy, psychoanalysis, and neuroscience. Columbia University Press.
Keeble, A. (2022). The End of the 90s in Porochista Khakpour’s The Last Illusion, Rachel Kushner’s The Mars Room and Ottessa Moshfegh’s My Year of Rest and Relaxation. Critique: Studies in Contemporary Fiction, 1–14. https://doi.org/10.1080/00111619.2022.2078179
Keshavarz Shal, S. (2018). Flying Homes: The Dynamics of Immigrant Habitus in Zadie Smith’s White Teeth and Porochista Khakpour’s The Last Illusion [Master’s thesis, University of Kurdistan]. Ganj. https://ganj.irandoc.ac.ir/#/articles/9011726eca5bd114848f01a469386a54/fulltext
Khakpour, P. (2014). The Last Illusion. Bloomsbury.
Khanam, A., Rashid, A., & Ahmad, R. (2022). Reading History, Crisis and Cultural Trauma Of 9/ 11 in Khakpour’s; The Last Illusion. Journal of Positive School Psychology, 6(11), 3403-3411.
Kouppanou, A. (2020). Philosophy of change in Catherine Malabou and in Martin Heidegger: The fantastic of childhood or the childhood of the fantastic. Educational Philosophy and Theory, 53(10), 984–997. https://doi.org/10.1080/00131857.2019.1707657
Malabou, C. (2008). What Should We Do with Our Brain. Fordham University Press.
Malabou, C. (2012a). Ontology of the Accident: An Essay on Destructive Plasticity. Translated by Carolyn Shread. Polity Press.
Malabou, C. (2012b). The New Wounded: From Neurosis to Brain Damage. Fordham University Press.
Pitts-Taylor, V. (2016). The Brain’s Body: Neuroscience and Corporeal Politics. Duke University Press.
Reshe, J. (2023). Destructive Plasticity, War, and Anarchism: A Conversation Between Catherine Malabou and Julie Reshe. Negative Psychoanalysis for the Living Dead, 47–55. https://doi.org/10.1007/978-3-031-31201-4_3
Sick. (n.d.). Porochista Khakpour.com. https://porochistakhakpour.com/books/sick/
Silverman, H. J. (2010). Malabou, Plasticity, and the Sculpturing of the Self. Concentric. Literary and Cultural Studies, 36(2), 89–102.
Slater, A. T. (2020, July 21). Porochista Khakpour: I’ve Become Uninterested in Darkness. Guernica. https://www.guernicamag.com/porochista-khakpour-ive-become-uninterested-in-darkness/
The New Yorker. (2007, November 11). Sons And Other Flammable Objects. https://www.newyorker.com/magazine/2007/11/19/sons-and-other-flammable-objects
Williams, T. (2013). Plasticity, in Retrospect: Changing the Future of the Humanities. Diacritics, 41(1), 6–25. https://doi.org/10.1353/dia.2013.0003
Yusefabadi, A. B., & Fatollahi, M. (2025). The Footprints of Shahnameh in World Literature: A Review of the Two Novels “Persian Games” And “The Last Illusion”. Journal of Sistan and Baluchistan Studies, 5(1), 11-19. https://doi.org/10.22034/jsbs.2025.499042.1064 | ||
|
آمار تعداد مشاهده مقاله: 156 |
||