Canons and Controversies: The Critical Gaze on Jhumpa Lahiri’s Fiction

Abbott, E. (2000, April 16). Lahiri's quietly elegant stories are about the immigrant experience, and much more. The Providence Journal, pp. K-05. Retrieved from https://search.proquest.com/docview/397420603?accountid=14645

Akhter, A. F. M. M. (2014). Images of Bengal and Bengalis in English narratives from the Bengali diaspora: A study of select texts by Monica Ali, Sunetra Gupta, Jhumpa Lahiri and Adib Khan. (PhD), Jawaharlal Nehru University, New Delhi, India. Retrieved from http://hdl.handle.net/10603/31865 

Alfonso-Forero, A. M. (2007). Immigrant motherhood and transnationality in Jhumpa Lahiri's fiction. Literature Compass, 4(3), 851-861. doi:10.1111/j.1741-4113.2007.00431.x

Allfrey, E. (2013, September 23). With controlled, clinical prose Lahiri explores love and sacrifice. Book Reviews.  Retrieved from http://www.npr.org/2013/09/23/223425487/with-controlled-clinical-prose-lahiri-explores-love-and-sacrifice

Asl, M. P. (2016). The metaphor of vision and the construction of sexist-norms in Western metaphysics. The Journal of Applied Linguistics and Applied Literature: Dynamics and Advances, 3(2), 91-111. doi:10.22049/jalda.2015.13699

Asl, M. P. (2018). Fabrication of a desired truth: the oblivion of a Naxalite woman in Jhumpa Lahiri’s The Lowland. Asian Ethnicity, 19(3), 383-401. doi:10.1080/14631369.2018.1429892

Asl, M. P., & Abdullah, N. F. L. (2017a). Circulation of the discourse of American nationalism through allegiance to consumer citizenship in Jhumpa Lahiri’s The Namesake. GEMA Online Journal of Language Studies, 17(2), 54-68. doi:10.17576/gema-2017-1702-04

Asl, M. P., & Abdullah, N. F. L. (2017b). Patriarchal regime of the spectacle: Racial and gendered gaze in Jhumpa Lahiri’s fiction. International Journal of Applied Linguistics and English Literature, 6(2), 221-229. doi:10.7575/aiac.ijalel.v.6n.2p.221

Asl, M. P., & Abdullah, N. F. L. (2017c). Practices of (neoliberal) governmentality: Racial and gendered gaze in Jhumpa Lahiri’s fiction. 3L: The Southeast Asian Journal of English Language Studies, 23(2), 123-140. doi:10.17576/3L-2017-2302-10

Asl, M. P., Abdullah, N. F. L., & Yaapar, M. S. (2016). Mechanisms of mobility in a capitalist culture: The localisation of the eye of (global) authority in the novel and the film of Jhumpa Lahiri's The Namesake. Kemanusiaan, 23(supp. 2), 137-159. doi:10.21315/kajh2016.23.s2.8

Asl, M. P., Abdullah, N. F. L., & Yaapar, M. S. (2018). Sexual politics of the gaze and objectification of the (immigrant) woman in Jhumpa Lahiri’s Interpreter of Maladies. American Studies in Scandinavia, 50(2), 89-109.

Asl, M. P., Hull, S. P., & Abdullah, N. F. L. (2016). Nihilation of femininity in the battle of looks: A Sartrean reading of Jhumpa Lahiri’s “A Temporary Matter”. GEMA Online Journal of Language Studies, 16(2), 123-139. doi:10.17576/gema-2016-1602-08

Aubeeluck, G. (2006). Indian Americans as native informants: Transnationalism in Bharati Mukherjee's “Jasmine,” Jhumpa Lahiri's “The Namesake,” and Kirin Narayan's “Love, Stars and All That”. (Ph.D.), Illinois State University.

Banerjee, B. (2010). Diaspora’s “Dark Room”: Photography and the vision of loss in Jhumpa Lahiri’s “Hema and Kaushik”. The Journal of Commonwealth Literature, 45(3), 443-456. doi:10.1177/0021989410377393

Bess, J. (2004). Lahiri's Interpreter of Maladies. The Explicator, 62(2), 125-128. doi:10.1080/00144940409597196

Bhalla, T. A. (2008). Between history and identity: Reading the authentic in South Asian diasporic literature and community. (Ph.D.), University of Michigan.

Brada-Williams, N. (2004). Reading Jhumpa Lahiri's "Interpreter of Maladies" as a short story cycle. MELUS, 29(3/4), 451-464. doi:10.2307/4141867

Brady, K. (2008, April 20). Mastering the art of the beautiful ending. Buffalo News. Retrieved from https://search.proquest.com/docview/381896332?accountid=14645

Bron, S. (2008, June 14). Meet the author: Jhumpa Lahiri uneasy path to prominence. The Advertiser. Retrieved from https://search.proquest.com/docview/355072077?accountid=14645

Caesar, J. (2005). American spaces in the fiction of Jhumpa Lahiri. ESC: English Studies in Canada, 1(1), 50-68.

Caldwell, G. (2003, September 14). Boy, interrupted in The Namesake, Jhumpa Lahiri traces the path of a life tugged in different directions, as cultures collide. Boston Globe. Retrieved from https://search.proquest.com/docview/404873406?accountid=14645

Cardozo, K. M. (2012). Mediating the particular and the general: Ethnicity and intertextuality in Jhumpa Lahiri’s oeuvre. In L. Dhingra & F. Cheung (Eds.), Naming Jhumpa Lahiri: Canons and Controversies (pp. 1-26). Plymouth, UK: Lexington Books.

Chakrabarti, B., & Chakrabarti, A. (2002). Context: A comparative study of Jhumpa Lahiri’s ‘A Temporary Matter’and Shubodh Ghosh’s ‘Jatugriha’. The Journal of Indian Writing in English, 30(1), 23-29.

Changnon, G. (2000, May 28). 'Maladies' a slice of immigrant life Books. The Atlanta Journal the Atlanta Constitution, p. K; 11. Retrieved from https://search.proquest.com/docview/247285040?accountid=14645

Cheung, F., & Dhingra, L. (2012). The inheritance of postcolonial loss, Asian American melancholia, and strategies of compensation in Jhumpa Lahiri’s The Namesake. In L. Dhingra & F. Cheung (Eds.), Naming Jhumpa Lahiri: Canons and Controversies (pp. 27-50). Plymouth, UK: Lexington Books.

Choubey, A. (2001, May 03). Food metaphor in Jhumpa Lahiri's interpreter of maladies. The Literature & Culture of the Indian Subcontinent (South Asia) in the Postcolonial Web.  Retrieved from http://www.postcolonialweb.org/india/literature/lahiri/choubey1.html

Day, J. (2008, September 28). Short stories examine family complexities. The Blade. Retrieved from https://search.proquest.com/docview/380776091?accountid=14645

Dennihy, M. (2012). Naming Jhumpa Lahiri: Canons and controversies (review). MELUS: Multi-Ethnic Literature of the U.S., 37(3), 239-241.

Dhingra, L. (2012). Feminizing men?: Moving beyond Asian American literary gender wars in Jhumpa Lahiri’s fiction. In L. Dhingra & F. Cheung (Eds.), Naming Jhumpa Lahiri: Canons and Controversies (pp. 135-155). Plymouth, UK: Lexington Books.

Dhingra, L., & Cheung, F. (2012). Naming Jhumpa Lahiri: Canons and controversies. Plymouth, UK: Lexington Books.

Donahue, D. (1999, August 12). Painfully beautiful passages from India. USA TODAY, p. 07D. Retrieved from https://search.proquest.com/docview/408833846?accountid=14645

Exiles on main street; Cultures -- and families -- clash in Jhumpa Lahiri's new story collection. (2008, April 06). The Washington Post, p. WBK.6. Retrieved from https://search.proquest.com/docview/410170357?accountid=14645

Freeman, J. (2008, April 20). How families get from here to there short story collection a powerful meditation on migration. Hartford Courant. Retrieved from https://search.proquest.com/docview/257130592?accountid=14645

Hai, A. (2012). Re-Rooting families: The alter/natal as the central dynamic of Jhumpa Lahiri's Unaccustomed Earth. In L. Dhingra & F. Cheung (Eds.), Naming Jhumpa Lahiri: Canons and Controversies (pp. 181-210). Plymouth, UK: Lexington Books.

Heltzel, E. E. (1999, July 11). A voice echoing in the cuture chasm. The Oregonian, p. E06. Retrieved from https://search.proquest.com/docview/418684519?accountid=14645

Jaggi, M. (1999, July 03). Books: India's Scheherazade Maya Jaggi on fiction that refuses to be conformist. The Guardian, p. 9. Retrieved from https://search.proquest.com/docview/245406925?accountid=14645

Jones, V. E. (2000, November 09). Prized writer Jhumpa Lahiri's debut book won a Pulitzer. Now what? Boston Globe. Retrieved from https://search.proquest.com/docview/405372500?accountid=14645

Kakutani, M. (1999, September 22). Liking America, longing for India. News & Observer, p. E2. Retrieved from https://search.proquest.com/docview/402948862?accountid=14645

Kakutani, M. (2003, September 05). The Namesake books / fiction. International Herald Tribune, p. 20. Retrieved from https://search.proquest.com/docview/318401042?accountid=14645

Karttunen, L. (2008). A Sociostylistic perspective on negatives and the disnarrated: Lahiri, Roy, Rushdie. Partial Answers: Journal of Literature and the History of Ideas, 6(2), 419-441.

Kipen, D. (1999, June 24). Interpreting Indian culture with stories. San Francisco Chronicle, p. E1. Retrieved from https://search.proquest.com/docview/411358814?accountid=14645

Kohli, S. (1999, July 25). Indian summer. Sunday Herald, p. 12. Retrieved from https://search.proquest.com/docview/331258733?accountid=14645

Koshy, S. (2013). Neoliberal family matters. American Literary History, 25(2), 344-380.

Lahiri, J. (1999). Interpreter of Maladies. New York: Houghton Mifflin Harcourt.

Lahiri, J. (2003). The Namesake. Boston and New York: Houghton Mifflin Harcourt.

Lahiri, J. (2008). Unaccustomed Earth. New Delhi: Random House.

Lahiri, J. (2013). The Lowland. London: Bloomsbury.

Leyda, J. (2011). An interview with Jhumpa Lahiri. Contemporary Women’s Writing, 5(1), 66-83. doi:10.1093/cwwrit/vpq006

Mani, B. (2012). Cinema/Photo/Novel: Intertextual readings of “The Namesake”. In L. Dhingra & F. Cheung (Eds.), Naming Jhumpa Lahiri: Canons and Controversies (pp. 75-96). Plymouth, UK: Lexington Books.

McAlpin, H. (2008, April 27). Fertile ground collection captures Lahiri's otherworldly voice in full bloom. South Florida Sun - Sentinel. Retrieved from https://search.proquest.com/docview/387593093?accountid=14645

Mehta, D. (2014). The Lowland, by Jhumpa Lahiri – Book Review. The Oprah Magazine.

Mehrvand, A., & Asl, M. P. (2013). ‘Mother Fixation’ and ‘Rebellion against the Father Figure’ in Wuthering Heights: A projection of Emily Brontë's neurosis. The Journal of Applied Linguistics and Applied Literature: Dynamics and Advances,, 1(2), 50-77. doi: 10.22049/jalda.2013.13525

Memmott, C. (2008, April 03). Lahiri leaves no 'Earth' untilled. USA TODAY. Retrieved from https://search.proquest.com/docview/409005682?accountid=14645

Miller, J. H. (1982). Fiction and repetition: Seven English novels. Cambridge, Massachussets: Harvard University Press.

Munos, D. (2013). After melancholia: A reappraisal of second-Generation diasporic subjectivity in the work of Jhumpa Lahiri (Vol. 169). New York: Rodopi.

Nagajothi, N. (2013). Transposal from fiction to motion picture: Crafting Jhumpa Lahiri’s The Namesake on celluloid. Language in India, 13(3), 540-552.

Nair, M. (Director), & M. Nair & L. D. Pilcher (Producer), (2007). The namesake. USA: Fox Searchlight Pictures.

Obama, B. (2015, September 10). Remarks by the president at the national medals of the arts and humanities awards ceremony.   Retrieved from https://obamawhitehouse.archives.gov/the-press-office/2015/09/11/remarks-president-national-medals-arts-and-humanities-awards-ceremony

Prose, F. (2003, September 15). The Namesake. People, 60, 50.

Puttaiah, V. (2012). Paradoxes of generational breaks and continuity in Jhumpa Lahiri’s The Namesake. Asiatic: IIUM Journal of English Language and Literature, 6(1), 84-94.

Rothstein, M. (2000, July 03). Young writers leave magic realism and look at reality. New York Times. Retrieved from https://search.proquest.com/docview/431499903?accountid=14645

Sacks, S. (2013, September 20). Book Review: 'The Lowland' by Jhumpa Lahiri | 'Local Souls' by Allan Gurganus | 'Mira Corpora' by Jeff Jackson. Wall Street Journal. Retrieved from https://www.wsj.com/articles/book-review-the-lowland-by-jhumpa-lahiri-local-souls-by-allan-gurganus-mira-corpora-by-jeff-jackson-1379708368?tesla=y

Sanga, J. C. (2001). Salman Rushdie's postcolonial metaphors: Migration, translation, hybridity, blasphemy, and globalization. London: Greenwood Press.

Sethi, A. (2009, July 19). Unaccustomed Earth. The Independent on Sunday, p. 35. Retrieved from https://search.proquest.com/docview/337122042?accountid=14645

Shankar, L. D. (2009). Not too spicy: Exotic mistresses of cultural translation in the fiction of Chitra Divakaruni and Jhumpa Lahiri. In N. Iyer & B. Zare (Eds.), Other tongues: Rethinking the language debates in India (pp. 23-53). Amsterdam, The Netherlands: Rodopi B.V.

Shea, T. (2008). Interpreter of maladies: A rhetorical practice transmitting cultural knowledge. Reason and Respect, 4(1), 2-9.

Spivak, G. C. (1999). A critique of postcolonial reason. Cambridge and London: Harvard University Press.

Srikanth, R. (2012). What lies beneath: Lahiri's brand of desirable difference in Unaccustomed Earth. In L. Dhingra & F. Cheung (Eds.), Naming Jhumpa Lahiri: Canons and Controversies (pp. 51-74). Plymouth, UK: Lexington Books.

Taylor, R. (1999, July 14). A quietly powerful `Interpreter'. Boston Globe, p. F8. Retrieved from https://search.proquest.com/docview/405285177?accountid=14645

Tettenborn, E. (2002). Jhumpa Lahiri's Interpreter of Maladies. Colonial fantasies in" Sexy". Notes on Contemporary Literature, 32(4), 11-12.

Tripathy, A. (2014). Marginalized masculinities: A study of Jhumpa Lahiri’s The Namesake. International Journal of English Language, Literature, and Translation Studies, 1(4), 74-79.

Waldman, A. (2008). Assimilation artist. The New Republic. Retrieved from New Republic website: https://newrepublic.com/article/63792/the-assimilation-artist

Williams, L. A. (2007). Foodways and subjectivity in Jhumpa Lahiri's "Interpreter of Maladies". MELUS, 32(4), 69-79.