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Kitchen Sink Drama and Naturalism: Trends of Post-War English Theatre | ||
| Journal of Applied Linguistics and Applied Literature: Dynamics and Advances | ||
| مقاله 10، دوره 8، شماره 1، تیر 2020، صفحه 139-149 اصل مقاله (352.09 K) | ||
| نوع مقاله: Research Article | ||
| شناسه دیجیتال (DOI): 10.22049/jalda.2020.26818.1172 | ||
| نویسندگان | ||
| Nazila Heidarzadegan* 1؛ Zeynep Kurt Yildiz2 | ||
| 1Assistant Professor of English Language and Literature, Dept. of Western Languages and Literatures, Karabuk University, Karabuk, Turkey | ||
| 2MA Student of English Language and Literature, Dept. of Western Languages and Literatures, Karabuk University, Karabuk, Turkey | ||
| چکیده | ||
| The present paper studies Kitchen Sink Drama and Naturalism to investigate how a cultural movement through which artists like Arnold Wesker, John Osborne, and Shelagh Delaney express their disillusionment during the post-war period representing the reality of their lives via theatre. The period of 1956–1965 can be considered as a period of time identifying post-war British theatre which is related to post-war cultural, social, and political developments. In this period, playwrights take a social stance which reflects daily experiences of workingclass undergoing social and political changes in that time. Following the destructive consequences of the First and Second World Wars social, religious, and political alterations resulted in unemployment, insecurity, and frustration in society, especially among young educated people who returned from the war.The Kitchen Sink Drama is a peculiar type of drama for plays written within the mode of the new wave of British Realism in which plays are staged in domestic settings with a Naturalistic representation of ordinary life. | ||
| کلیدواژهها | ||
| Kitchen Sink Drama؛ Naturalism؛ Angry Young Men | ||
| مراجع | ||
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