آمار
| تعداد نشریات | 5 |
| تعداد شماره‌ها | 111 |
| تعداد مقالات | 1,247 |
| تعداد مشاهده مقاله | 1,199,499 |
| تعداد دریافت فایل اصل مقاله | 1,060,200 |
Café as a Dual Space in Marguerite Duras's Moderato Cantabile | ||
| Journal of Applied Linguistics and Applied Literature: Dynamics and Advances | ||
| مقاله 10، دوره 9، شماره 1 - شماره پیاپی 17، تیر 2021، صفحه 183-200 اصل مقاله (433.26 K) | ||
| نوع مقاله: Research Article | ||
| شناسه دیجیتال (DOI): 10.22049/jalda.2021.26905.1189 | ||
| نویسندگان | ||
| Sanaz Saei Dibavar1؛ Sara Saei Dibavar* 2 | ||
| 1Department of English Language and Literature, Faculty of Literature and Humanities, University of Mazandaran, Babolsar, Babolsar, Iran | ||
| 2َAssistant Professor, Department of English Language and Literature, Faculty of Literature and Humanities, University of Mazandaran, Babolsar, Iran | ||
| چکیده | ||
| This article examines the dual role of the café in instigation, development, and termination of the public display of transgressive desire in Margaret Duras’s (1958) Moderato Cantabile. To approach Duras’s narrative this way, we draw on Michel Foucault’s (1977) theories concerning Panopticon to bring into light the sociallyimposed codes and the method of their implementation. Duras’s mode of expression, we intend to discuss, brings to the reader’s attention the dominance of the silent social gaze in each transgressive scene between the two characters. Despite its laconism, therefore, Moderato Cantabile reveals the omnipresent and active bourgeois codes that are interwoven to the very fabric of the bourgeoisie. The effective operation of these codes, set through discourses of truth and power, is guaranteed through the Panopticon present in public spaces like the café, whose dual nature enables it to allow for manifestation of desire on the one hand, and effective inspection and containment of the situation (by imposing norms) on the other. | ||
| کلیدواژه‌ها | ||
| Marguerite Duras’sModerato Cantabile؛ Bourgeoisie؛ Michel Foucault؛ Panopticon؛ Desire | ||
| مراجع | ||
|
Bajomée, D. (1989). Durasou la douleur. Paris: Boeck-Wesmael.
Barbéris, D. (1992). Moderato Cantabile / L’Amant. Paris: Nathan.
Bishop, L. (1974). Classical structure and style in Moderato Cantabile.The French Review. Special Issue, Studies on the French Novel, 47(6), 219-234.
Champagne, R. A. (1975). An incantation of the Sirens: The structure of Moderato Cantabile. The French Review, 48(6), 981-989.
Cruickshank, R. (2013). Eating, drinking and re-thinking: MarguriteDuras’s Moderato Cantabile (1958). Forum for Modern Language Studies, 49(3), 300-312.
Duras, M. (1958).Moderato Cantabile. Paris: Minuit.
Duras, M. (1987).La vie Materielle: Marguerite Durasparle à JérômeBeaujour. Paris: P.O.L.
Duras, M. (2017).Moderato Cantabile (R. Seaver, Trans.). London: Calder Publications (Original work published 1958).
Foucault, M. (1977).Discipline and punish: The birth of the prison (A. Sheridan, Trans.). New York: Vintage Books (Original work published 1975).
Foucault, M. (1978).The history of sexuality: An introduction (Vol. 1) (R. Hurley, Trans.). New York: Pantheon Books (Original work published 1976).
Gorton, K. (2003). Critical scenes of desire: Marguerite Duras's Le ravissement de Loi V. Stein and Moderato cantabile. Dalhousie French Studies, 63, 100-119.
Günther, R. (1996). Alcoholism, melancholia and transgression: Marguerite Duras’ Moderato cantabile. Modern & Contemporary France, NS4 (2), 171-181.
Hill, L. (1993). Marguerite Duras: Apocalyptic desires. London and New York: Routledge.
Hirsch, M. (1982). Gender, reading, and desire in Moderato Cantabile. Twentieth Century Literature, 28(1), 69-85.
Mills, S. (2003). Michel Foucault. London and New York: Routledge.
Moskos, G. (1984). Women and fictions in Marguerite Duras’s ‘Moderato Cantabile.’Contemporary Literature, 25(1), 28-52.
Paternek, M. A. (1987). Norms and normalization: Michel Foucault’s overextended Panoptic machine. Human Studies, Foucault Memorial Issue, 10(1), 97-121.
Reid, J. H. (1994). The café Duras: Mourning descriptive space. French Forum, 19(1), 45-64. Rykner, A. (2000). ProlesPerdues. Paris: José Corti.
Schrambach, B. B. (2015). Telling makes it so: Memory, narrative, and identity in Moderato Cantabile. Journal of Language, Literature and Culture, 62(2), 89-99.
Young, M. (2008).Shifting perspectives: Innovative narrative tense usage in Marguerite Duras’s Moderato cantabile, Patrick Modiano’s Rue des Boutiques Obscures and Marie Darrieussecq’s Naissance des fantômes.Journal of Romance Studies, 8(2), 59–72.
Zepp, E. H. (2013). Language as ritual in Marguerite Duras’sModerato Cantabile.Symposium: A Quarterly Journal in Modern Literatures, 30(3), 236-259.
| ||
|
آمار تعداد مشاهده مقاله: 654 تعداد دریافت فایل اصل مقاله: 680 |
||